Great stuff for free in Rome I: Free Caravaggios!
Rome is packed with things to see and do. Believe me, you can live here for years and still keep discovering incredible things you never heard about before. That’s why we are starting today a series of articles to introduce you to some of the greatest things you can do in the Eternal City withot spending a dime.
First on my list (let’s see what Liam comes up with!) is the church of San Luigi dei Francesi, located near the Pantheon.
From the outside the church looks pretty much like any other church in Rome; you might not imagine that inside you can find an artistic treasure many museums would kill to have, and here it’s available for free: all you have to do it’s walk in!
Inside the church you will find many chapels with religious works of art that, of course, are great but in the end they all almost blur in your mind. That is, until you get to see the Caravaggios. Even if you don’t know anything about art, and just happen to stumble upon the curch by sheer luck you will immediatly be able to tell that here we are dealing not only with an artisan, but with a master and a visionary.
Caravaggio’s works (there are three of them at San Luigi) are vibrant, human and stunning, unlike other religious works of art you will find inside most churches in Rome. I can assure you the passion and strenght that comes off them will become one of your most treasured art memories- and you will get it for free!
You can learn more
about Caravaggio and his troubled life on Wikipedia – where else? ; ) To get to San Luigi dei Francesi you can take the bus 40 from Termini. Get off at Largo Argentina and the follow this map we have dutifully put together for your walking pleasure.
If you need accomodation in the city don’t hesitate to write us or visit our website. And while you’re on the internets why don’t you drop me a line to tell me about your Caravaggio experience? It’ll be great to hear from you.
Have a great time!
Our blogger today: Raul


He was never short of patronages and work but he prone to brawling and being frivolous with his money. In a brawl in Rome he killed a man and was then forced to flee as he had now been branded an outlaw. He then continued his work in Naples, Malta and Sicily. Always being forced to flee because he was involved in fights or because he was a target for a revenge killing.

This walking tour starts indeed in Piazza Navona, where both Bernini and Borromini have left grand masterpieces of architecture : Mainly the Fontana dei Quattro Fiumi by Bernini placed in the middle of the square, and across the church Sant’Agnese in Agone by Borromini. The square is near the Spanish Steps and Via Veneto, close by 



Upon request of an expert of the art of the 1600, Sir D. Mahon,who also is a lover of Italy, will take place for the first time in Rome an exhibition with some paintings of Caravaggio.
The exhibition which takes place in Gate Termini station in Rome, close to Via Veneto and the
Tickets are 8 euro for the adults, free for the children under 6.
The Borghese Family owned the oldest part of the Villa since 1580, but at the beginning of the seventeenth century Cardinal Scipione Caffarelli Borghese, Pope Paul V’s nephew, began purchasing the neighbouring lands intent on creating a “villa di delizie”.The Villa’s first layout, assigned to architects Flaminio Ponzio and Giovanni Vasanzio, included, according to the classic tradition, a pars urbana and a pars rustica, divided in three “rings” . It remained this way until the 18th century.The first ring was the most ostentatious, where the Casino Nobile, numerous statues and fountains and a “sylvan” garden are found. The present Parco dei Daini corresponds to the second ring, a garden reserved for the prince. The Giardini Segreti are found between the first and second rings. The third ring was the countryside, the broadest and vastest part, that suffered the majority of alterations over time.At the end of the 18th century, Prince Marcantonio IV fostered a general renovation of the Villa, which involved the design of new furnishings and the transformation of the seventeenth century buildings, employing architects Antonio and Mario Asprucci and various artists. At the beginning of the 19th century the Villa was expanded with new purchases: Villa Giustiniani and other minor villas, near Porta del Popolo, and the former Villas Doria and Manfroni, near Porta Pinciana. Luigi Canina’s work combined the new properties and bestowed the Villa with a new layout with numerous small eclectically and neoclassical inspired buildings. The villa entered a new phase when it was purchased by the State (1901) and later transferred to the Municipality of Rome.